liebman | brecker | goines | comping | transcription | pease | appreciation

Liebman on Chromatiscism

3 ways of learning

more choices make more possibilities

the student must be involved in saturated listening of a player or style

superimposing chord progression over pedal point

other II-V possibilities over D-7 G7 Cmaj7

tasks of the student


Dave's favorite chord

practice playing time with no changes

McCoy Tyner said there were no changes written for Coltrane's later tunes (ascension, meditation, india)

What is the role of the piano or guit when horn player is playing "out"